Charleston Furniture 1700 - 1825 Review

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Charleston Furniture 1700 - 1825 ReviewI was looking for a book with details of the furniture produced during this period both to learn more about the style and for inspiration for my own creations. This book had only general descriptions of the types of wood and the types of things made with it. The photographs are low quality and few. A large portion of the book is devoted to documenting all the individuals who made furniture in the Charleston area but there are not any examples of their work identified in the book. By far the best thing about the book is the picture on the cover.Charleston Furniture 1700 - 1825 OverviewAcknowledgments In the making of this book I have had the advice and assistance of many people, and I cannot regard the work as complete until I have expressed to them, in some fashion, my deep sense of gratitude. High on the list must be the name of Miss Emma B. Richardson, of the staff of The Charleston Museum, for her excellent work in preparing the manuscript, editing, reading proof, and in general making the book ready for the press. Her patience has been unfailing her quick grasp of every problem, me and accurate. It is, I fear, impossible for me to make adequate acknowledgment of all those who have assisted me in searching out extant examples of early Charleston furniture of space preclude a complete h g . I am particularly grateful, however, to those who have permitted me to come into their homes, often to the disruption of their households, to make photographs of their furniture. I was invariably received with courtesy, and in not a siigle instance was I refused permission to take pictures. I regret that I cannot show my appreciation of such generous co-operation by including in this book all the photographs I was permitted to acquire. The final choice has been determined by cost and space limitations, or by the necessity of avoiding repetition of the types of funitwe represented. It should be understood, therefore, that the exclusion of any given photograph does not mean that the subject was unworthy of inclusion. It should be understwd also that only by the collection and mdy of hundreds of photographs have I been able to write with confidence on the styles and types of early Charleston furniture hence, every photograph I have taken has been invaluable to me, whether or not it ocnus as an illustration in the book. Insdtutions and societies as well as individuals have been generous either in supplying me with photographs or in permitting me to have the photographs taken.........

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